They would rather spend their minutes redistributing sweat and grime than making small-talk. As charming as my banter can be, when you’re spun, you want to move, not speak. I found their whining more interesting than exhausting. “Does this band actually exist?” For most groups this would be an absurd question, and not in a back-handed Lana Del Ray sort-of-way. But in their case, this was a legitimate question. I know they tour and perform live, but the concept of Die Antwoord existing just seems so alien to actually be real. To say that Die Antwoord are abnormal is an understatement. The supposed story of the group, whose name translates to “The Answer” in Afrikaans, is that three childhood friends grew up in the slums of Cape Town. DJ Hi-Tek got his hands on a “PC computer” and began making “next level beats” for his pals, tattooed emcee Ninja and hype-pixie Yo-Landi Vi$$er. The three created a mash of vulgar hip-hop and filthy rave, a mongrel genre designed to appeal to the Zef culture. What is Zef? It’s their eccentric lifestyle, an unholy amalgam of UK Chav, Southern redneck, and hood rich. Vi$$er describes Zef as “It’s associated with people who soup their cars up and rock gold and shit. You’re poor but you’re sexy, you’ve got style.” Considering “zef” roughly translates to “common”, it makes sense that Die Antwoord would fuse to the most populist styles of the past quarter century – hip-hop and electronic dance music – and add their own cocky, South African spin to it to make appeal to those who want something “different” than the usual flavors of gangsta rap and europop.
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